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感谢远在太平洋彼岸的南希·麦克威廉斯女士，她将诸如《精神分析诊断：理解人格结构》这样优秀的著作引荐给世人，令我在受益匪浅后能够创作出这部更加世俗与商业的作品来与更多并不为学术的亲和力所吸引的人们共享。
《千年女优》以及《红辣椒》是今敏先生奉献给所有人的精神财富，同时也启发了我将蒙太奇以及虚实的手法引渡到小说中，特此致谢。
感谢国内漫画家北巷、极乐鸟，两人的叙事风格我非常喜欢；《绯色安娜》、《云海之上》和《主题世界》一直是我铭记于心的故事范本，长期以来都不失为纯真的感动。
感谢《最终幻想：圣子降临》的全体制作人员，这部作品在我构建架空世界观上给予了我莫大的启发和帮助，对该作影响深远。
最后感谢一直支持着我的人们，包括阅文集团、我的责编、以及我的读者们。未来难以预估，在此先行鸣谢致歉。
谢谢。
埃斯欧埃夫，《人格拟态》，2017。
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'd like to areciate adam ancy cilliams in the ， ho introduced a series of onderful orks such as sychological iagnosis: nderstanding ersonality tructure in a linical rogress (econd diotion) to the orld， hich benefited me quite a lot and encouraged me to ork out thismercial novel to share ith the major ublic that are less attracted academically.
he movies， illennium ctress and arika， contributed by irector atoshi on， reminded me to add the techniques of montage and virtual reality to my novel. 'm grateful.
hanks to domestic cartoonists eixiang and ileniao， could on their describing styles as my favourate， hose orks， carlet nna， eyond the louds and heme orld， kee me a frameork as ell as a hite shock.
nd the hole creators of inal antasy :dvent hildren， hose masteriece heled me much ith the structure a virtual orld， had a lifelong effect on my novel.
ventually， 'd like to say thanks to those ho kee suorting me， rou ueen， my editors and my readers. here could alays be something unredicted in the future， so lease allo me to exress my areciation and sorror here in advance.
ありがとうございます。
o，ersonality of imicry， 2017.
